The lying life of adults
(CD Audiobook)
Giovanna's pretty face has changed: it's turning into the face of an ugly, spiteful adolescent. But is she seeing things as they really are? Into which mirror must she look to find herself and save herself? She is searching for a new face in two kindred cities that fear and detest one another: the Naples of the heights, which assumes a mask of refinement, and the Naples of the depths, which professes to be a place of excess and vulgarity. She moves between these two cities, disoriented by the fact that, whether high or low, the city seems to offer no answer and no escape.
Notes
Ferrante, E., Goldstein, A., & Tomei, M. (2020). The lying life of adults. Unabridged. New York, NY, Random House Audio, Inc.
Chicago / Turabian - Author Date Citation (style guide)Ferrante, Elena, Ann,. Goldstein and Marisa, Tomei. 2020. The Lying Life of Adults. New York, NY, Random House Audio, Inc.
Chicago / Turabian - Humanities Citation (style guide)Ferrante, Elena, Ann,. Goldstein and Marisa, Tomei, The Lying Life of Adults. New York, NY, Random House Audio, Inc, 2020.
MLA Citation (style guide)Ferrante, Elena,, et al. The Lying Life of Adults. Unabridged. New York, NY, Random House Audio, Inc, 2020.
Record Information
Last Sierra Extract Time | Apr 17, 2024 10:59:26 AM |
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Last File Modification Time | Apr 17, 2024 10:59:46 AM |
Last Grouped Work Modification Time | Apr 25, 2024 10:17:59 PM |
MARC Record
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100 | 1 | |a Ferrante, Elena,|e author. | |
245 | 1 | 4 | |a The lying life of adults|c Elena Ferrante; translated from Italian by Ann Goldstein ; read by Marissa Tomei. |
250 | |a Unabridged. | ||
264 | 1 | |a New York, NY:|b Random House Audio, Inc.,|c [2020]. | |
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264 | 4 | |c ©2019. | |
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520 | |a Giovanna's pretty face has changed: it's turning into the face of an ugly, spiteful adolescent. But is she seeing things as they really are? Into which mirror must she look to find herself and save herself? She is searching for a new face in two kindred cities that fear and detest one another: the Naples of the heights, which assumes a mask of refinement, and the Naples of the depths, which professes to be a place of excess and vulgarity. She moves between these two cities, disoriented by the fact that, whether high or low, the city seems to offer no answer and no escape. | ||
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